Real Life Influences Upon Jane Austen’s Novels

Real Life Influences Upon Jane Austen’s Novels

51iTwdJj5XL._AA160_As authors of historical fiction, we take great pleasure in a research “tidbit,” which introduces our fictional characters to historical figures. I, for example, have introduced John Loudon McAdam, the father of the modern road, to the readers of A Touch of Honor: Book 7 of the Realm Series. The founder of Bournemouth (UK), Lewis Tregonwell, makes an appearance in The Mysterious Death of Mr. Darcy, a Pride and Prejudice Mystery, while William Hulton and James Nadin, key players in the Peterloo Massacre, play out in a pivotal plot point in His Irish Eve.
However, Jane Austen was NOT writing historical fiction. Our Miss Austen wrote contemporary fiction; yet, we today hope to find historical figures in her work.

Jane Austen Info Page www.pemberley.com
Jane Austen Info Page
www.pemberley.com

In our search for those who influenced Austen, we know her own reading played a role in Austen’s works. We see bits of Shakespeare, for example. She cites the Bard as a “source” of her mock History of England. We find references to Shakespeare’s plays in Emma (A Midsummer Night’s Dream), Sense and Sensibility(Romeo and Juliet), and Mansfield Park (Henry the VIII, as well as Julius Caesar).

The conversations between Darcy and Elizabeth in Pride and Prejudice are reminiscent of Mirabell and Millamant in William Congreve’s The Way of the World. Most Austen scholars believe the plays of Richard Brinsley Sheridan and Henry Fielding had a great influence on her writing. One must remember that acting out plays, an activity in which the Austen brood gladly participated, was a common pastime for evening entertainments of the time. In Mansfield Park, the play’s performance is a key point in Fanny Price’s development.

The latter part of the 1700s saw the rise of the Age of Sensibility in England, meaning the dramas of the period were more a reflection of real life than previously. Feelings prompted behavior, not reason and logic. People were encouraged to act with empathy for the trials of others. Austen’s juvenile pieces are known to ridicule sentimental novels. In Love and Freindship (spelled as such by Austen), her characters sentimentality borders on the absurd.
One of Austen’s favorite novels was Samuel Richardson’s The History of Sir Charles Grandison. It was from Richardson that Austen modeled her early novels in the epistolary style (letters form the plot). One of my favorite things for my students to do when I taught Pride and Prejudice was to keep a record of letters, notes, etc., in the story line. Both Elinor and Marianne (later to Sense and Sensibility) and First Impressions (later to become Pride and Prejudice) heavily employed the epistolary style.

Another point Austen mastered was Richardson’s use of writing from the point of view of a young woman. In his Pamela; or; Virtue Rewarded, Richardson brings life to Pamela in letters, which record her feelings and emotions. Richardson called this style “writing to the moment,” a technique in which Austen excelled. Austen, however, wrote from the familiar.

John Milton
John Milton

We also cannot forget the influence of John Milton or that of Fanny Burney upon Austen. A Miltonian temptation motif can be found in most of Austen’s novels: Isabella Thorpe’s pursuit of Frederick Tilney in Northanger Abbey; Elizabeth Bennet’s preference for George Wickham over Darcy; Lucy Steele’s ensnaring Edward Ferras’s affections when he is her father’s pupil, and her dumping of Edward for his older brother Robert, etc. And then we find in Mansfield Park how Henry Crawford purposely misquotes Milton’sParadise Lost when he calls marriage “Heavens last best gift.”

The title of Pride and Prejudice comes from the final chapter of Fanny Burney’s Cecilia. The phrase is in all caps three times on one page. Burney also influence Austen’s work by bringing realistic contemporary women to her readers. She presented intelligent young women operating in Society. Burney transformed the comedy of manners found upon the stage to the novel. She also made novel writing a respectable occupation for women.

Frances Burney
Frances Burney

Yet, I have strayed from my original premise. Did real people influence Austen? For example, in an account of the Battle of Trafalgar in The Times (7 November 1805) there is the report of a midshipman by the name of William Price, and many wonder if Jane Austen had read the account and had created her “William Price” for Mansfield Park.

What do we know of the real William Price? We know he was wounded. The article fromThe Times includes Price in the tales of heroes of Trafalgar. It says, “A midshipman, of the name PRICE was brought into the cockpit, with his leg cut at the calf; he was an heroic youth of 17. The Surgeons could not attend him at the moment. He drew out a knife, and cut off a piece of flesh and the splinter of bone with great composure. ‘I can stay,’ said he, ‘let me doctor myself.’ When the surgeon attended him, it was found necessary to amputate above the knee. He submitted to the operation without a groan. ‘It is nothing at all, I thought it had been ten times worse.’”

So did this account of William Price influence Austen’s tale of William Price in MP? The William Price in Austen’s novel is “heroic,” but he is also sound of body. Do you recall how he loves to dance? So, although Miss Austen might have been star struck by the tales of such valor, I personally doubt she based her character upon the real William Price. Most Austen scholars look more to her brother Francis Austen as the model for Mansfield Park character.

Likewise, Jane Austen’s French cousin, Eliza, Comtesse de Feuillide (the daughter of Philadelphia Austen Hancock) can be found in both the self-absorbed Elizabeth Bennet in Pride and Prejudice, as well as the more overly flirtatious Mary Crawford in Mansfield Park.

We can observe from Austen’s letters how she delved into character traits from some of her acquaintances. Lydia Bennet’s impetuousness can be seen in Austen’s seventeen-year-old neighbor Lucy Lefroy. Austen wrote of Lucy: “By Everyone, I suppose [she] means that a new set of Officers have arrived there…”

In an October 1813 letter, we read how at breakfast with her brother, an acquaintance, Robert Mascall covers his toast with thick butter. Likewise, Arthur Parker does the same inSandition.

In the same letter, Austen describes the perfect Mrs. Elton from Emma, based on a Mrs. Britton: an “ungenteel woman with self-satisfied and would-be elegant manners.”

14 Responses to Real Life Influences Upon Jane Austen’s Novels

  1. I always like to purchase the Collector’s Edition of movies b/c I like to read about the behind the scenes action, even love affairs between the cast members. So I found it interesting to read here the suppositions as to on whom Jane Austen may or may not have formed her characters. Thanks for this educational look at her writings.

  2. Excellent post! I’ve always thought that Austen wrote based on people she knew herself. Perhaps not actually caricatures of them but by examining many characters you can see universal traits readers can recognize in their own world and relate with. We see these characters through the eyes of the heroine of her books, not from themselves. I find supposed historical accounts of historical wealthy and often titled men that allegedly Austen based Mr. Darcy on (but never knew herself) to be absurd. I also think people make too much of historical digging on other subjects. Peers named Fitzwilliam would have been immediately recognizable to her readers but I don’t suppose Lady Catherine must be based on the actual earl’s sister, although I have done that in my own fictionalized story.

  3. The best part of any movie DVD is the special features or the bonus features. This special sections tells the behind the scenes of the movie, how it was made, special effects, the director’s motives and the actual making of the movie.

    This blog is the ‘special features’ of Jane Austen’s writings. Well Done! I love to deconstruct movies or books…to see…under the veil…so to speak. Many of those authors I was not familiar with and had no idea their influence on Austen during her lifetime. I’ve heard quotes but never made the connection. Thanks for bringing it together so seamlessly for us. Excellent post!

  4. A very interesting post. Thank you. Very pertinent to my new book with Cecil Bohanon “Pride and Profit: The Intersection of Jane Austen and Adam Smith.” We argue that Austen has a lot of overlap with Adam Smith. The wording similarities are uncanny. For example, in “Theory of Moral Sentiments”, Smith tells us “Every man is, no doubt, by nature, first and principally recommended to his own care; and as he is fitter to take care of himself than of any other person, it is fit and right that it should be so.” Compare this to Fanny Price telling Henry Crawford in Mansfield Park “We all have a better guide in ourselves, if we would attend to it, than any other person can be.” Another example is that Smith tells us that the cure for adversity is engagement. “Are you in adversity? Do not mourn in the darkness of solitude , do not regulate your sorrow according to the indulgent sympathy of your intimate friends, return, as soon as possible to the day-light of the world and of society. Live with strangers, with those who know nothing or care nothing about your misfortune” (TMS). This is very similar to Marianne’s thoughts about Elinor in Sense and Sensibility after Edward leaves Norland. “Even now her self command is invariable. When is she dejected or melancholy? When does she try to avoid society or appear restless or dissatisfied in it?” Our table of contents can be found here: https://rowman.com/ISBN/9780739191835/Pride-and-Profit-The-Intersection-of-Jane-Austen-and-Adam-Smith#

    • Such bits of information fascinate me, Debbie. I am never happier than sitting on the floor of a library surrounding by a dozen or more books open to new and wonderful bits of history.

Your thoughts are precious!