Fanny Price, Feminist?
I have always considered Fanny Price from Mansfield Park the secret “Weapon of Mass Destruction” that Jane Austen created to be “discovered” by those readers who can read closely enough, who can read in tune with the Regency times, and who can read between the lines…
Fanny is the small, quiet, shy, self-effacing but perfectly put-together individual with an amazing level of personal integrity, loyalty, perceptive discrimination, and adherence to a moral code. Basically her ability to perceive the true worth of others and be constant to what she believes in is off the charts, compared to pretty much everyone else around her. And if that’s not rock-strength, I don’t know what is. (Incidentally, these are the two qualities I chose to focus on and enhance to a supernatural degree in my own treatment of Fanny Price in Mansfield Park and Mummies).
As such a powerfully charged personality, Fanny is potentially a formidable force in whatever direction she chooses to exert herself, a true WMD. But – as a true WMD – much of her strength comes from not being deployed at all.

Furthermore, fortunately she chooses to be a steady unshakable force for good. And, in emerging thus, as portrayed by Jane Austen, she is perfectly in tune with the contemporary notions and standards of her time — which are not the same as our own modern standards, and therein lies the modern reader’s confusion.
How so? Allow me to illustrate.
Let’s take the classic example of unbreakable courage – in Fanny’s time, it was unthinkable for a young woman to go against the will of a parent figure, and especially a powerful benefactor such as her uncle Sir Thomas Bertram who basically took her in and paid for her livelihood for the greater portion of her childhood and teen years. And yet, against her uncle’s direct wishes, Fanny refuses the offer of marriage from Henry Crawford, a superficially excellent match, but a man she considers wrong and unworthy.
Fanny recognizes that Henry is like a splendid but freshly spoiled buffet – so much amazing rare deliciousness is in front of you, but little of it is truly palatable, and if you try eating any of it, much of it will give you food poisoning, but you cannot really tell just by looking – you need to come closely, sniff, walk around it, poke it with a fork, maybe stick it on the tip of your tongue, etc. Such is Henry Crawford. And no one can tell her otherwise, because Fanny knows and trusts her own keen senses.
Hence, the refusal. This is an act of pure defiance for her time – going directly against the will of her paternal authority figure. And yet, Fanny’s final authority is her own set of inner principles.

And when Sir Thomas (in all fairness) asks Fanny to explain her refusal, and maybe gives her a way to excuse her behavior, she does not take the easy way out and reveal the negative aspects of Crawford’s personality because she knows it would badly implicate her cousins (engaged Maria has been shamelessly flirting with Henry behind the back of her fiancee). So, Fanny basically keeps the secret, and shoulders the blame for “irrational behavior,” for being “willful” and for being “ungrateful” to her benefactors, just so as not to compromise the life of other people she cares about. This is another act of courage and integrity, in the face of dire consequences to her own person. Not to mention, Fanny now risks losing the affection and approval of Sir. Thomas who truly cares about her – something which means a lot to her.
Next, Fanny submits to the subtle “punishment” of being sent away indefinitely from the high quality of life at Mansfield Park and returned to her own parents, to live in squalor and neglect in Portsmouth. She endures it, even though she longs more and more every day to return to that better kinder life at Mansfield.
Finally, when Henry Crawford makes a surprise appearance specifically to woo her, rescue her and “take her away” to a good life, and nearly succeeds in changing her mind about his personality and worthiness, Fanny keeps her head and retains above all else the counsel of her common sense and instinct. People do not change so quickly, so easily — nor do some people change at all, knows Fanny. And so, she trusts her own gut enough to not be seduced by Crawford’s onslaught of charm, and to still refuse him yet again (albeit not with such fervor as before). It’s a good chance that, had Henry not “given up” on Fanny at that point (for it is ultimately his way of giving up that he goes off with Maria Rushworth), and had he continued in his steady honorable attentions, Fanny might have ended up as Mrs. Crawford.
And then there are the little things – Fanny’s stubbornness in refusing to participate in the tacky play Lover’s Vows, because again she believes it is simply wrong for so many reasons (inappropriate especially to the engaged Maria, being a thinly veiled way for everyone to flirt with everyone else, not to mention directly against the will of her uncle). There’s Fanny’s modernly inexplicable quiet mousiness as she basically runs errands for everyone in the household and acts like a glorified chaperon or companion, and almost stoops to the level of servant – when in fact she simply believes with all her heart and every fiber of her being that it is her obligation and duty to do all this, in gratitude for being taken in by her rich relatives, and it’s the least she could do (according to her personal code of integrity, and the mores of her time).
Now, here is where the modern reader balks. What’s the point, many of us wonder, to not break out of a bad situation, make a better life for herself, and take the chance on personal happiness? Wouldn’t a modern strong woman – a .k. a. feminist – have jumped on such an opportunity? And, for that matter, if Fanny is so “strong,” why did she allow herself to be trampled on by the whole household of Mansfield Park, to be overworked by Lady Bertram, to be verbally abused by Mrs. Norris, pushed around and taken advantage of by her cousins Maria and Julia, and to a lesser degree Tom? Finally, why did she let herself be so utterly invisible to Edmund, her true love interest?
The answer to all of this discrepancy lies in the unwritten “definition” of a modern feminist, which I believe is fundamentally faulty, and yet we have all grown accustomed to it.
In our modern opinion, first and foremost, a strong woman does not allow herself to be used, trampled, put down, or abused – regardless of reason.
Second, a modern feminist is a rebel, who struggles against the status quo.
Third, a modern feminist uses her strength in an overt and aggressive manner, and is not afraid to be a warrior and use force to get her will.
In other words – a modern feminist is a perfect free agent with a full set of rights and unlimited choices – freed of all pressures, obligations, hangups, fears, and consequences, in order to aggressively pursue her own personal actualized will and fulfill her needs.
And that’s the flaw.
Because in our modern desire to right all the compounded wrongs of the past, all the abuse, neglect, and limitation of women’s rights as full human beings, we forget that a woman, even an actualized feminist, does not exist in a selfish vacuum. Sometimes it is her will to make choices that may seem to be detrimental to her own person in order to remain genuinely true to her values and hence to herself. A real feminist has the strength and freedom to limit herself when it is her choice to do so – if necessary, against all odds and guided only by her own will.
Now let’s look at how Fanny stacks up in this respect.
Does she rebel? Yes. Does she make her own choices? Yes. Does she use loud, brash, aggressive extrovert force to get her will? No! But does she use force? Heck , yes! She uses a different kind of force – not overt aggression but the strength of an introvert anchor, a bulwark, a fortress of principled integrity. It is a force turned inward, the force of a concrete wall raised up against the onslaught of external wrongness that assails her very self and threatens her being.
So I say to you, Fanny Price is a feminist of the truest kind — not a selfish extroverted individualist, but an unshakable believer in the strength and rightness that resides inside herself – and, without shame, intimidation, or regret, willing and able always to share it with others.
Vera Nazarian
VERA NAZARIAN is a two-time Nebula Award Nominee, award-winning artist, and member of Science Fiction and Fantasy Writers of America, a writer and reader with a penchant for moral fables and stories of intense wonder, true love, and intricacy.
28 Responses to Fanny Price, Feminist?
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The Writers Block
Right on, sister! Er- I mean to say, “I think you have an excellent and convincing argument there.” (-;
I love seeing your article. It validates what I have thought all along- not that I went so far as to think in feministic terms. I always thought it was sad to compare her to Austen’s other heroines because, though some were not the wealthiest, none of them were the poor relation and daughter of a man of low birth with the deck stacked against them as it were.
Thanks for posting!
Thanks, Sophia Rose!
You make a great point that, compared to other Austen heroines, Fanny comes from the “lowest” social class. She even beats the Dashwoods who may have been kicked out of their home but definitely retain gentility.
Fanny is a step away from servant/companion/governess rank. So much easier for Lizzy Bennet to turn down a great offer than for Fanny. So yeah, I think she is an amazing character, and too bad so many readers don’t want to put themselves in her shoes…
I think you’re right — from Jane Austen’s time and perspective, Fanny is a very strong heroine who goes against social pressures and stands strong despite being surrounded by pleasure-seeking self-indulgent “decadence”. Peer pressure and social pressure unite against her, but she doesn’t succumb.
I agree too with Sophia Rose that there’s a class element as well.
To me Fanny is both a throw-back to Richardson’s “Pamela, or Virtue Rewarded” (Jane Austen was very familiar with his writing) and a jump forward to Victorian notions. In many ways, Fanny represents the Victorian reaction against the excesses of the upper classes and the establishment (through pamphlets, books, etc. of Middle Class morality). It’s interesting, too, to think of her as upwardly mobile, too, not part of the upper classes yet not working class either (she is quite put off by her former home when she goes back). That uncomfortable middle is what ended up being the backbone of the Victorian Age.
I have lots to say about this but I won’t do it here. Maybe I’ll put it in a blog.
Thanks, Vera, for a very stimulating post. I’m going to be giving some thought.
Monica, thank you, glad to have given food for thought!
Fanny Price does tend to bring out this kind of interesting response in us, since she is such a “dissonant” character for the modern reader’s sensibilities.
*mental gears actively grinding*
Um – it’s Sir THOMAS Bertram. But interesting post. I think Fanny is not as appreciated as she should be.
Terri,
Duh, of course it is Sir Thomas, not William — I don’t know where my brain is! (You should’ve seen the first draft, I called Edmund “Edward,” etc.) *sigh*
Going to edit the post to correct… Thanks for noticing!
Vera, I admit to being one of those people who read MP years ago and came away wanting, but I have revisited it of late. I have been reading a few chapters each day and making a closer study of the novel, and I agree with many of your assertions. Fanny is not such a dull dishrag, after all.
Regina, yup! I think the key is just to remember the times, and that our contemporary mindset is just alien compared to the Regency, etc.
Personally I think if Fanny was born today she’d be a tough cookie.
You make excellent arguments. Very well done. Mansfield Park is a great novel.
There is another way to look at Mansfield Park—as Jane Austen’s allegorical novel about right and wrong, good and evil, Christian teachings and modern convenience. Remember, Austen was the daughter of a parson. Her creation, Fanny Price, is that truly good person that is constantly tested and tempted, and is rewarded for their steadfastness. Remember, the wicked are attracted to goodness—thus Mary Crawford’s fondness for Fanny and Henry Crawford desire to marry her. Yet, neither could step away from the Devil’s bargain they both made with duplicitous Regency society. Of Fanny’s family and acquaintances, only Aunt Norris hates her, and she is seen as Mansfield Park’s true villain. In the end, the evil are punished, the weak receive what they have sown, the saved enjoy blessings, and the righteous are rewarded with lives of peace and harmony.
Great point, Jack! It truly can be seen as a moral and religious allegory novel.
If I recall correctly, Austen herself considered Mansfield Park her most complex work, so she was probably writing it with more of a sense of “social obligation” than her other novels.
Mansfield Park is my 2nd favorite Austen novel behind P&P. I always believed Fanny had amazing strength of character, especially being able to recognize a poor match and being able to hold to her own decision/moral conviction, not accepting despite pressures from the relatives and being labled ungrateful, or getting caught up in the flirting games of the other characters. She reveals herself to be a completely sensible, stable young woman despite her unstable life. Yeah Fanny-you go girl. We will have to see how she holds up with mummies though.
Karana,
Knowing Fanny, believe me, she is undaunted by mummies, and never loses her grace and quiet composure — not even when faced by the advances of an ancient magnetically attractive pharaoh… You might say, Henry Crawford was just practice!
Yeah. Pond scum is nothing to baddies in bandages!
Jack, LOL!
Actually the Ancient Egyptian Pharaoh is a Regency gentleman hunk when he takes on human form…
There’s so much I love about this post. You so eloquently articulated why Fanny Price has always been a hero to me. Her refusal of Crawford’s marriage proposal and her resistant to Sir Thomas’ pressure has always been, to me, a much more brave act, in many ways, than the rejection at Hunsford by Elizabeth Bennet of Mr. Darcy.
“Sometimes it is her will to make choices that may seem to be detrimental to her own person in order to remain genuinely true to her values and hence to herself.”
That’s feminist guts!
I’ve often thought that in our modern time, many of our sisters globally probably more likely is living the Fanny Price existence than that of Elizabeth Bennet, Emma Woodhouse, Anne Elliot…etc…
Thank you for a very thought provoking post.
Nina Benneton
Thank you, Nina! I really do agree, and indeed, we are more often like Fanny Price, than Elizabeth or even Emma, and that’s a worthy and honorable thing to be.
Thanks for a new way to look at Fanny. I do find her strength, especially her ability to resist the pressure to marry Henry Crawford, to be impressive. I still struggle with her taste in men as indicated by her choice of Edmund, who hardly seems worthy of her, but then again I sometimes struggle with the men my real-life friends choose, too. It’s a knotty issue.
Abigail, yes, definitely Edmund seems like a questionable object of so much devotion. I think Jack said it well that this is a moral novel and an allegory so the religious “good” is all portrayed as a kind of an ideal.
On the other hand, Edmund was the only person in Fanny’s life who was consistently kind, protective, nice and loving toward her… so it is possible that in some ways she had internally “confused” the warm feelings of gratitude toward him with love, until the lines got blurred as she grew up.
I personally have not yet given MP the attention it deserves. I find myself spending more time with the loud children in the family. You make a great arguement and definately renew my interest. Fanny has that quiet strength. You know what they say, watch out for the quiet ones.
Becky, exactly!
I completely agree with your post, and it is wonderfully expressed. But I always thought that it was pretty obvious. It seems only logical to me to think about the time and the place that the writing comes from. It would be irrational to expect Jane Austen’s heroines to match up to today’s standards for anything. But then I suppose there are a lot of people who cannot see beyond their own POV. I love Mansfield Park.
Dolly,
Yes, you would think that as we read we keep in mind what historical period we a re reading in…. But so many people for some reason cannot keep the separation between THEN and NOW and even get offended by actions, internal monologues or other expressions of older mindset in perfectly valid characters…
Spot on! Fanny is all those things, and that is precisely why I love her. She reminds me of me.
Excellent post!
Thanks, Alyssa!
Glad to advocate on behalf of Fanny!
Vera, excellent points about Fanny Price, a character who is celebrated far too rarely as one of Austen’s most memorable heroines. I was always fascinated by her moral integrity and her ability to see people so clearly, especially after she had gone to live with her family once more. She was thrust back into a life of poverty, living in an over-crowded house where the manners of her siblings and parents were rough, under appreciated, yet when Henry Crawford returns to woo her, she wavers only once. She may have accepted him, but she soon realizes that she’s made a mistake. She wasa prize to him, and her heart was not his. Her need to stay true to herself, and to what’s right and good, won out, and if that isn’t admirable, I don’t know what is.
Thank you for such a lovely post, Vera!
Best,
Susan
So glad you enjoyed, Susan!
Wonderful post, Vera – glad to see you waving the flag for Fanny, who is too often mistreated and misunderstood (by readers as well as in her own life, I mean her fictional life, hard to remember these people aren’t real). But you’re preaching to the converted!
Thanks, Diana! And indeed, all hail, Fanny!